Visual culture links to power systems, either by transmitting or perpetuating dominant structures, or by questioning and attempting to subvert them. Consider, for example, the use of imagery as a soft power tool for public diplomacy, or the visual activism of the Black Power movement. To understand how visual imagery can be used to support power, we must also understand what systems of power exist within the constructs of art and visual studies. Our aim is to explore how cultural production shapes our understanding of social dynamics, through our collective interpretation of visual art, photojournalism, films, fashion, architecture and media imagery.

This course is aimed at those who want to be acquainted with art histories and visual culture, but also to those who wish to think critically about power, while becoming conversant with the perspectives and mechanisms at work in the imagery all around us. The learning process includes some image-based tasks (no drawing skills required) in addition to written work designed to deepen the understanding of the theories discussed. Thinking through different geographical and chronological environments will strengthen historical knowledge and provide tools for building richer intercultural connections.